![]() Listen in full below or click this link :Įmbassy of France in Ghana/Twitter Copyright: Embassy of France in Ghana/Twitterįrench Minister for International Partnerships, Chrysoula Zacharopoulou, has urged African countries to respect the rights of LGBTQ people. He says it was also an opportunity for white farmers to "be seen to be doing the right thing" and enter the "fair trade world where they are in partnership with the indigenous community - and the entire rooibos industry is in fact based upon a beautiful partnership now".īBC Business Daily also hears from the rooibos farmers who are now having to pay out, and finds out what this deal could mean for other indigenous groups in a similar situation. If something is taken without permission and without transfer of any benefits it doesn't matter how long ago it was, there is still an obligation to pay for it or acknowledge it," says the San people's lawyer Roger Chennells. "When we put in a claim for rooibos, there were many highly respected people internationally who said our plan was nonsense. In my experience when Tidal has received lossy files from a record label, those files are what's provided to the customer.The Khoi and San people, who discovered rooibos tea, have only recently started receiving a share of the industry's multimillion-pound profits. I've yet to see anyone question the source files from Tidal as being converted from lossy to lossless. Hi Geoffrey - As I said in the article, I am interested in analyzing the audio for dynamic range compression. m4a could be used for either lossy or lossless compression. flac is only used for lossless compression, as you know. I say this because some streams I was previously receiving from them in. Interestingly I've noticed that it appears Tidal/WiMP are in the process of converting their "HiFi" streams from. Perhaps you have doubts about this though, hence the need for the analysis? Is it because there's no guarantee that the source files provided to the streaming service were actually uncompressed/lossless in the first place? I'm assuming the lossless service provider is responsible for verifying this, since they are claiming these streams are lossless/CD quality. Presumably if we have a "HiFi" subscription from Tidal/WiMP or Qobuz we can trust that the streams being provided are lossless (apart from where otherwise indicated by the service). Now that audiophiles are streaming lossless 16 bit / 44.1 kHz music from services such as TIDAL HIFI, Qobuz, and Deezer, the question of how to analyze this music becomes relevantĬhris, I'm unclear about the need to analyse lossless streams from these services. If someone wanted to pirate music, they would just download the full album off a shady website somewhere in a fraction of the time rather than jumping through all those hoops. Those AirPlay recorders which automatically split the stream and pull in metadata seem more like they would be used for piracy but again, you're going to subscribe to Tidal just to pirate audio in real-time? ![]() What, you expect people to queue up a playlist in Tidal, record it in real-time, and then chop it up into separate tracks, then manually tag them? I don't see why some people are assuming that this automatically means it's going to be used for piracy. It may not be using the program to its full extent, but this is one way you can use it, and I can see why Chris would have tried this approach. Rogue Amoeba make great products, so I have been meaning to check it out, but I just don't use the Macs here very often. The idea that people are now just figuring out this type of application exists (and running around screaming about the falling sky) based on this article is mind boggling.The concept may not be new, but Audio Hijack 3 is new, and there's been a lot of positive press around it in the Mac community recently. This software is absolutely nothing new and has been around for years upon years upon years.
0 Comments
Leave a Reply. |